Happy reading :)
1. LUDRUK
Ludruk is the art of traditional drama of East Java. Ludruk is a traditional drama that was exhibited by an arts group in gelarkan disebuah stage to take the story of people’s daily lives, struggles and other stories are interspersed with jokes and accompanied by gamelan as a musical.
Dialogue / monologue in ludruk are entertaining and make the audience laugh, Surabaya natural language, although sometimes there are guest stars from other areas such as Jombang, Malang, Madura, Madiun with a different accent. Straightforward language used on ludruk, making him easily absorbed by the non-intellect (pedicab drivers, watchmen, public transport drivers, etc).
A ludruk staging usually begins with Remo Dance and interspersed with staging a character memerakan “Mr. Sakera”, a master of Madura.
Kartolo is a legendary comedian ludruk from Surabaya, East Java. He has over 40 years of living in the world of art ludruk. Kartolo names and distinctive voice, the innocent and clever jokes, known almost all over East Java, Central Java and even up.
Different Ludruk ketoprak of Central Java. Ketoprak stories are often drawn from the story of a bygone era (history and fairy tales), and is delivering a specific message. While ludruk tells the story of everyday life (usually) the underprivileged.
2. REOG FROM PONOROGO
http://en.wikipedia.org/wiki/Reog
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoqwG2Az6GrZOLMg9fE8JDWxOVscQxkxRqz9a_vWsUnRB_tU5DwZeKHaAsoO7Jvf7WjGS4flbM2-gze3MHr6PKfDUzPkYa0ihIQb0gNf5ppJzSLtn43eM_yo7t27fpafEQrI_BwCmanQw/s1600/reogegit.jpg
3. WAYANG KULIT/PUPPETS
Wayang kulit is a famous traditional form of puppetry in Indonesia, mainly in Java and Bali. ‘Wayang’ means ‘shadow’ in Javanese and ‘kulit’ means leather or skin.
The wayang kulit art form may be over 800 years old. The fact that the story is told using shadows is very important since moving shadows can be seen but never touched. One belief was that the souls of the ancestors were brought to life as shadows that provided advice and support. So wayang kulit performances have a spiritual and magical significance for Javanese and Balinese people. Everyone present at a shadow puppet performance is believed to be protected from evil influences while the play lasts. People will sponsor a performance to give thanks for someone recovering from illness.
The screen represents the white universe in which people live their lives. The bright side of the screen represents the material world in which we live. The darker side represents the mysterious after-life. The blencong or oil lamp was often in the shape of the Garuda bird, and represents the rays of the sun which give life to every living thing.
http://pholoroid.blogspot.com/2011/03/wayang-kulit-from-indonesia.html
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh539d6iiXhL61i6stuOrHGAmWkn29Wgt0lCWKUuBfwgLpjeUVgSpd9E07cxLgx_xg-Y6etEoTw5IWfpF4ek68h95vRLi_Nm6zNY1G6BnHM6PLe5_yRPu_gxDbDVBUGQdL8JHeAG82-Jzo/s1600/wayang-pandawa_lima.jpg
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoqwG2Az6GrZOLMg9fE8JDWxOVscQxkxRqz9a_vWsUnRB_tU5DwZeKHaAsoO7Jvf7WjGS4flbM2-gze3MHr6PKfDUzPkYa0ihIQb0gNf5ppJzSLtn43eM_yo7t27fpafEQrI_BwCmanQw/s1600/reogegit.jpg
3. WAYANG KULIT/PUPPETS
Wayang kulit is a famous traditional form of puppetry in Indonesia, mainly in Java and Bali. ‘Wayang’ means ‘shadow’ in Javanese and ‘kulit’ means leather or skin.
The wayang kulit art form may be over 800 years old. The fact that the story is told using shadows is very important since moving shadows can be seen but never touched. One belief was that the souls of the ancestors were brought to life as shadows that provided advice and support. So wayang kulit performances have a spiritual and magical significance for Javanese and Balinese people. Everyone present at a shadow puppet performance is believed to be protected from evil influences while the play lasts. People will sponsor a performance to give thanks for someone recovering from illness.
The screen represents the white universe in which people live their lives. The bright side of the screen represents the material world in which we live. The darker side represents the mysterious after-life. The blencong or oil lamp was often in the shape of the Garuda bird, and represents the rays of the sun which give life to every living thing.
http://pholoroid.blogspot.com/2011/03/wayang-kulit-from-indonesia.html
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh539d6iiXhL61i6stuOrHGAmWkn29Wgt0lCWKUuBfwgLpjeUVgSpd9E07cxLgx_xg-Y6etEoTw5IWfpF4ek68h95vRLi_Nm6zNY1G6BnHM6PLe5_yRPu_gxDbDVBUGQdL8JHeAG82-Jzo/s1600/wayang-pandawa_lima.jpg
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